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Setting this set of painted tins in laser cut perspex allowed both sides to be seen.

This is a great opportunity to play with colour

This old family heirloom, fragile in some places is sewn securely to the backing, set behind UV100 perspex.

This certified original poster from 1924 called for full conservation framing.

  Soft silver tones of this profile allows the focus to remain on the Red Sails & the Light in this oil painting

  This portrait required no more than this favourite Classic frame

A contemporary drawing presented with a Victorian touch  

No. 10/18  Acrylic paint, paper on MDF board Peter Adsett is an artist represented by PAULNACHE gallery, Gisborne www.paulnache.com  

These frames we make out of remnants & seconds stock. The sizes vary at random proportions or standard photo frame sizes. Often there is the perfect solution for a small piece. The easy prices make it a good way to go for that eclectic mix in a...